Monday, April 30, 2012

And Down the Stretch They Come !! ~~ Kimberly Kelly Santini


 
"And Down the Stretch They Come!!," 7" x 14", painting of a racetrack scene inspired by Saratoga, detail (which more accurately reflects the painting's color) below, done in acrylics on museum quality panel, $549 to the first asking nicely. 
 

In process views of this painting are available on the studio Facebook page.

 
Requests may always come to me (and yes I am happy to set up a payment plan and yes I take credit cards and yes return collectors get 10% off all original panel paintings all the time).

 
 
 
 

I am so happy May is here!!  

 
Because it's Derby Week, baby!! All horses!!

 
I spent last night reviewing photos, editing and cropping and trying to figure out what to paint this week. So many choices, not enough days!!

 
I've got 8 compositions but only 5 painting days, so I'll have to work quickly and productively if I want to do them all.

 
I cut to the chase this morning, bypassing most of my morning studio routine to get right to work. All day long I heard the thunder of hooves and the roar of the crowd, over which echoes the famous line "...and down the stretch they come!!"

 
It's going to be a fantastic week!!

 
I hope you enjoy!!
Kim
 



From Amazon, the book "Belmont Park, A Century of Champions," featuring artwork by Richard Stone Reeves.
 
Richard Stone Reeves, My First Equine Artist Mentor
 

I was one of those kids who never stopped drawing horses. And took every opportunity to look at them, whether it was nose plastered to the car window on Sunday drives, scouring the latest Sports Illustrated magazine for photographs of equine athletes, or pouring over every single book in our library that included horse illustrations.

 
When I was a young adult/teenager, over the course of 6 years, I had a Richard Stone Reeves book continuously checked out.

 
In high school I wrote him a letter (I'm dating myself, because this was long before email!) asking his advice on becoming an artist.

 
He told me to never stop drawing. To take every opportunity I had to draw everything I saw - not just horses. And to never stop learning and working to get better at truly seeing the world. That if I couldn't draw well, I could never expect to be a decent painter.

 
I am so grateful for his advice, as it truly shaped my approach to making art. And I am proud to carry it onwards and share with my own students.

 
I wish I'd have had the opportunity to meet Mr Reeves, who passed away in 2005. I satisfy myself with enjoying his artwork in person whenever possible and continuing to thumb through my own copies of his books.

 

Saturday, April 28, 2012

Wind in your hair...


Tonight my husband and I did something we haven't done since we were kids.  Driving home in a desultory kind of way from the grocery store, we passed a school playground baking in the late afternoon sun.  Within 5 minutes we were both climbing onto the swings and heavenbound.  And with the lurching back and forth of the swing, the feeling of breaking the boundaries of the earth and soaring into the oak tree limbs, the stomach dropping moment of weightlessness at the apex of the arc, with each pass of the wind in our hair we felt better, younger, lighter.

This is my first blog post of 2012.  I realize that, and, if any of you were anxiously waiting out there for an update on the studio antics of one Joanna Zeller Quentin and Co, I humbly apologize.  It's not that I/ we haven't been busy - we have!  Four months into 2012, I've traveled to California and Louisiana to see my work hanging in big art exhibitions, seen my art published on the cover of a major six-week long international horse show program, had lunch and rubbed elbows with Olympians, seen some world class horses do incredible things, gave a giant hug to to my favorite author, taken over 2500 reference photos of various animals doing interesting things, had work accepted to a major wildlife art show, actually completed more work in time for the deadline for another major art show and become a member of the International Equine Artist's Association.  Whew!

Anyway, the point of all this is that being on the swings tonight reminded me of the simple, meditative joys of doing what you love, and how important that is to your emotional, physical and mental well being.  Watching twilight bleed through the oak trees in a sky Maxfield Parrish would have envied (and then painted, of course), listening to the soft squeak of the metal chains, feeling the air rush past my face, and just being oddly present and yet a million miles away... it was NIICE.  Better than nice, it was inspiring.

So I came home and spent some time working on a new watercolor.  I've got some vague plan of gouache and oil and gold leaf, so we'll see how that works out.  In the meantime, here are a few "new" images for 2012.  There's much more to come, so please stay tuned!  And, as always, thanks for reading.

PS - the new Jack White CD ROCKS.

(and just a reminder, please respect my copyright.  All work ©Joanna Zeller Quentin 2012.  All Rights Reserved.  www.MoosePantsStudio.com)
"Naples"  oil on canvas

"Flying Purple Plantain Eater" mixed media on board

"A Plea for Wilderness" india ink and scratchboard

"To the Jumper Ring"  pen and ink on bristol

"Chestnut Sketch #1, Alla Prima"  Oil on board

"Power Steering"  Oil and ink on board

"Picture Perfect" Watercolor and gouache on board

"Rhapsody in White" watercolor on paper

ALL WORK ©Joanna Zeller Quentin 2012.  All Rights Reserved.  
www.MoosePantsStudio.com 


Thursday, April 26, 2012

“Sugar baby” Dark Foal Laying down, Watercolor by Debbie Flood

 

Sugar baby Large Web view

Sugar baby is a 15 x 22 inches, watercolor, $1,400.00

Isn’t he the cutest little bundle of joy you’ve ever seen?

I’m playing and toying with the idea of No Backgrounds! Leaving the crisp clean natural white of the paper. I love the look of bright light, that it gives.

With this look, your eyes stay on the foal, and you are able to study his details and colors. For a little something to anchor him to the ground, I’ve included hints of grass sprigs, pebbles and a little cactus plant.

This has been a very popular painting, so I will be having Limited Edition Prints made of him. I’m now accepting pre-orders for a print run of 50. Hand signed and numbered. These prints will be the same size as the original at 15 x 22 inches, with a 1 inch white border on velvet watercolor paper. $100.00 plus shipping. Contact Debbie Flood at debflood@debfloodart.com thank you.

~Debbie Flood

http://www.debfloodart.com

Friday, April 6, 2012

For Melissa ~~ by Kimberly Kelly Santini


"For Melissa," 10" x 14", portrait of Silver, a pony belonging to a special friend, done in acrylics on a museum quality panel. Collection of the artist.
 

In process pics of Silver's portrait are also on the studio Facebook page. Feel free to check in over there and comment on my process or art in general.

 
Reproductions may be ordered here.

 

 
 
 

 
This week the world lost a shining star when my friend Melissa passed away. Melissa was a client turned friend, compassionate, generous of spirit, always read to laugh, with the ability to find extraordinary beauty in the most commonplace objects and situations.

 
I hope Melissa's heaven is full of gray ponies and lots of critters to love on. And I look forward to walking alongside her one day.

 
Cancer so sucks.

 
In honor of Melissa, I will donate 100% of the proceeds from giclee and notecard sales of this painting through June 1st to The American Cancer Society via The Wonder Kids (see below). You can order here. And thank you for allowing me to pay tribute to my friend's memory in this way.

 
Hoping you are spending your weekend with those you love,
Kim
 

 



Journalling student and Wonder Kid team captain Anna D with her puppets made at our last journalling class. The one on the left reads "fight back."

 
The Wonder Kids

 
Here's some amazing kids who refuse to wait until they are grown up to make a difference.

 
Led by the unflappable 3rd grader Anna D, The Wonder Kids had a friend's life touched by cancer, and decided to do something about it.

 
They set a goal of raising $500 for cancer research (they are nearly half way there!). They also will be participating in the Lake Orion leg of the American Cancer Society's Relay for Life the first weekend in June.

 
I look forward to the day when we have a cure for cancer, all due to efforts of people like The Wonder Kids.

 
What if the money they raise is what does it?

 
(If you want to support The Wonder Kids, click here - and on their behalf, thank you!)

 
 
 

By Two Lengths

By Two Lengths

By Two Lengths is the first of my two entries for this years juried Inglis Equine Art Prize.

Originally I was going to include a field of race horses but decided the power and majesty of this fellow was all that was needed.

By Two Lengths is drawn on black canson pastel paper.

By Two Lengths

20" x 27"

pastel

$2500.00 framed

Catherin McMillan

Commissions welcome
original artwork for sale

Gift vouchers available
Payment plan offered

Pay pal accepted

Friday, March 30, 2012

Guest Blogger, Artist, Zian Silverwolf Talks About Being Original.

 

I don’t usually have a guest blogger on my blog, but over the years Zian and I have become good friends. Zian is oozing of originality in her art work and has a wonderful sense of humor, and has the ability to put into words, what I can only feel and think. For so long, I have resonated with what she talks about, a few paragraphs down, about the social media and all the art looking the same. I’ve often spoken it on my own facebook page, only to be shot down by some other Artist, thinking it’s all okay, and they can’t see that it’s all the same. Have they all become so numb from seeing all the same, that they all expect it and accept it? It’s like they are all being herded like cattle. For me, I want to see something fresh and new….show me something new and original! Smack my senses into next year! 

This Blog entry, below, was written and posted by Zian Silverwolf, on her own Blog: http://ziansilverwolf.blogspot.com/ With Zian’s permission, I am posting her Blog entry here. For the more Artists and “want-to-be” Artists that read this, the better.

Zian has many wonderful, thought provoking posts on her blog, and I want to help bring awareness to these facts of being Original in your work and thoughts. I hope that you find her writings thoughtful, and useful in your own creative life. I urge you to follow Zian’s Blog. From her Blog, you will also find links to follow her on Twitter. Go to Zian’s website http://ziansilverwolf.com/ and check out her Fantasy Art and hook up with her on Google +1, and Facebook. She’s a remarkable Artist and Person.

~Debbie Flood

http://www.debfloodart.com

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

03 March 2012

By Zian Silverwolf Copyrighted Material. Please acquire permission from Zian Silverwolf before copying or using the written content below. Thank you. 

Art by Whom?

I just had a look at a blog where a number of art works by different artists were being displayed; great work, fantastic finishes, wonderful concepts.... Except that there wasn't a great deal of difference between one style and the next. (bar one artist - and I took a longer look.)
Artists don't seem to be particular in creating their signature beyond their actual signature these days. Having a similar style and finish seems to be coming more and more of the norm in the creation of art. 

When I look at an art work, I anticipate being able to tell which artist it is, just by looking at it - distinctive and telling style is not just a part of being original, it is a part of the artist distinguishing themselves as an artistic identity.
Sure, people argue these days that there is no such thing as original, it's all been done before - I think this argument is a cop out for people who are angry that they don't have a larger imagination. Every individual who is capable of pronouncing themselves as an artist is capable of combining that which has come before with their own perception and interpretation of their individual experience. It is not just content or subject that is the action of art - it is the revelation and the evolution of the artist as well that creates a work of art that is beyond the crowd.

I can look at a Turner and know it's a Turner. I can look at a picture untitled, unsigned and know at a glance it's by HR Giger. I can look at a Dali, and know that no matter how many worshippers try to emulate his style, it will always be his.

Inline image 2

"The Persistence of Memory"  - Salvador Dali (courtesy of Wikipedia)

The question is, why emulate another artist? True, to be spellbound by the works of our art heroes is inspiration and motivation for we artists to strive and continue to burn for our own work - but that's the point isn't it? OUR OWN WORK.


Art has always suffered the mainstream prejudices of the uninitiated art lover - the works being displayed on social media, blogs and websites are, in the majority, the same flavour. And usually show up next to the kitten in the bonnet with the funny joke. Such is the nature of the public gallery, and we live with it. However it seems to me that artists themselves are buying into the circus of the acceptable artist - I know with certainty a number of artists who refuse to publish what they really think because they want to be acceptable - they want people to like them.

Whoever heard of an artist who wanted to be liked?
Liked?

A likeable artist never broke the social mould, never put themselves forward as the beyond that they sought to create - artists, burdened by their constant and consistent observation of the world in all its schisms and motivations, haunted by their own dreams and drained by the persistence of apathy that surrounds them, rarely view themselves as anything but idiosyncratic quasi-mythical disturbances in reality.  It doesn't mean that they can't get along with other people - they're just not other people. I'm privileged to know some of the people behind the mask of their online persona - why aren't you?

So if they're not other people, why is the art starting to look the same? For that matter why are the artists on social media all starting to sound the same? For all that the public are willing to mouth cliches of 'be different', and 'live outside the box', they continue to respond to that which is easily recognized, for them. But an artist should be easily recognized - by their own work.

Links

Turner - http://www.william-turner.org/

HR Giger - http://www.hrgiger.com/

Salvador Dali - http://www.dali-gallery.com/

by Zian Silverwolf

Tuesday, March 27, 2012

Maiden by Kimberly Kelly Santini



"Maiden," from The Saratoga Series, 9" x 11", acrylic on museum quality panel, available to the first one asking nicely for $469. Inquiries may come to me.


This is a piece I began back in 2010 with great intentions, but I got intimidated. I set it aside, waiting for divine intervention to step up and help me finish. Divine intervention never arrived, but with the accumulated miles of a few years' work under my brush, I was able to pull it together and sign off yesterday.


My biggest challenge was controlling the level of detail in the horses and using that as one of my primary factors in building depth of field. And my original painting had some major proportion and drawing errors (of which I hopefully corrected!!).


In process photos of the piece's recent progress can be viewed on the studio's Facebook page. 






Apologies in advance to all the Painting a Dog a Day fans who are not horse peeps. This week I am tweaking and touching up new paintings, primarily racing scenes, in preparation for shipping a body of work to Spa Fine Art in Saratoga Springs, New York (home of Saratoge Racetrack).


That means you'll be seeing more equine work come off my easel. And what makes it to the blog will be just a fraction of what's been happening in the studio.


I'll do my best to squeeze in a dog or two, though, by the week's end.

Thanks for following along and sharing my paintings,
Kim








I am happy to make affordable, quality reproductions available from any of my paintings - just ask.

Image Piracy


Friend and fellow artist Kathi Peterslearned that someone had lifted a particular photo from her (Kathi's) studio Facebook page and was getting a print on canvas made.**


Yes technology makes it possible to lift images from websites, and all it takes is a little savvy to go a step further and print them out. But that doesn't mean it's ethical - as a matter of fact, it's against the law.


Stealing images off the internet and paying a company in China to make a cheap print because that better suits your budget is an insult, on top of being illegal. And it denies us working artists the opportunity to support our families via artwork sales.


Instead, connect with us. Send an email or make a phone call.


We are human, many of us living within a budget just like you. We also know exactly what it's like to covet something absolutely beautiful that might fall outside our realm of affordable.


Ultimately artists want our art to find homes and we are happy to work with you, whether it's purchasing an original or ordering an American made (and artist-sanctioned) reproduction or finding something else that fits your budget.


**For the record, Kathi confronted the individual, educated them on copyright, and stopped the piracy. And now that you are informed, you can do the same thing too!





KK Santini, 346 N Anderson, Lake Orion, Mi, 48362 USA, www.turtledovedesigns.com