Thursday, September 15, 2011

35th International Bank Exhibit, Raton, New Mexico September 21-23, 2011

I am so very pleased to announce that I was “Invited” to send works, of my choosing, to the 35th International Bank Exhibit in Raton, New Mexico.

Back in June, during my Gallery Opening debut in Angel Fire, New Mexico, at the Angel Fire ArtSpace Gallery, I was contacted by the Director of the International Bank Exhibit of Raton, New Mexico, Ray Wolf. What a surprise that was! The jury process for this exhibit was being waived, as my work had already been seen, and I was being recommended to exhibit there. WOW!

Three works of my choosing. Hmmm…what would I send???

In August I had a trip to Sedona, Arizona with works in the group Invitational Exhibit, ‘Lamingtons and Apple Pie’. What a week that was! Another big ‘WOW’. Because of this exhibit, I couldn’t yet decide which paintings would go to the Raton Bank Exhibit.

Once home, and the works that were slated to return home from the Sedona exhibit were home, I picked out the three works I would send to Raton.

Here are the works that have just arrived there, today. The exhibit takes place September 21-23, 2011.

 Head games Medium Web view

Head games Watercolor

 

Leg man Medium Web view

Leg Man Watercolor

 

Knot listening Large Web view

Knot Listening Watercolor

If you are in the North Eastern area of New Mexico, I hope you can make a point to stop by this exhibit in Raton, New Mexico. I hear it is rich in Western Genre Art.

 

~Debbie Flood

http://www.debfloodart.com

Blue Plaid, From the Saratoga Series ~~ Kimberly Kelly Santini


 

"Blue Plaid," from the Saratoga Series, 5" x 8", done in Golden Open Acrylics on an Ampersand Gessobord. Portrait of a dark bay Thoroughbred on the backside of Saratoga Springs Race Track. This painting can be yours for $299 - inquiries may come to me.

 
It's become a tradition, my summertime trek to upstate New York, where I meet up with girlfriends from all over the US and Canada for a long weekend of horses, art, and friendship.

 
This year I returned with nearly 1000 photos, the majority of them taken in the early mornings.

 
Early mornings at the track are full of bustle - visual, audial, and olefactory - and they carry a distinctly different flavor than the pomp and pagentry shown to the public on racing days.

 
For instance, when we arrived shortly after 7am, this big guy had already trained and bathed, and was being handwalked around the foggy shedrow. His body was steaming underneath the jaunty blue plaid cooler, and he followed my camera with a knowing eye.

 
"Paint me," he said, not as a request, but simply a statement of fact or mutual understanding.

 
I was more than happy to oblige.

 
Additional paintings in the Saratoga Series are here - you can purchase originals, order reproductions (if the original has sold), and design notecards.

 
Thanks, as always, for looking at and sharing my paintings with your friends and family,
Kim
 
 
COMING UP ~~ PAINTING WORKSHOP "Mixing Color Not Mud": Saturday, October 8th, at the Orion Art Center in Lake Orion MICHIGAN. Email me to get on the early bird list.
 


 

 

Remember "For Her Eyes Only"? This painting is one of mine, also from The Saratoga Series, a piece I created last month.

 
Initially I saw a photograph of on Facebook, and marvelled at her unusual markings. I did a little research and learned she was a filly in training at Saratoga. I emailed a couple friends who were headed to the track and asked them to keep an eye out for her.

 
Then, the very next morning, when reviewing my own track photos, who did I discover but this same little lady! being hotwalked directly in front of Mr. Blue Plaid, no less!

 
I had been so distracted by Mr. Blue Plaid and another jet black irish mare getting hosed down across the way, that I didn't pay this lady her proper due.

 
She's saying to me, "Hey, stupid! Over here - I have the goods, too."

 
And apparently she does. She broke her maiden in her first start, flashing quite a bit of speed.

 

 
(Psst! This painting is still available - I'd love to ship it to you - let me know if you are interested! Better yet, I will be happy to work a deal for the two pieces together!)
 

Sunday, September 11, 2011

In the Spotlight


Here's a dramatic no-flash shot of the sort I love to get when I can, of the Arabian stallion Bey Ambition and his handler at a recent local event.

Judy Wood
http://judywoodartphotographyjusttheart.blogspot.com

Saturday, September 10, 2011

This is a painting that I did while in college of my pony, Patches.  It is currently in the collection of my sister, who has a virtual gallery of my works in her home.  This one is the largest at about 36x48 if I'm not mistaken.  Patches' main claim to fame in our family is that I used to confuse the day of his death with my husband's birthday as they are two days apart.  I have learned.


Judith A. Johnson
judithajohnson.com

Thursday, September 8, 2011

"War Horse I" by Kate Dardine

A horse and a wolf, perhaps unusual companions, set against an abstract background of yellow ochre. This is the first of a series called War Horse. Framed in wide black wood frame. Click here for details.

Tuesday, August 30, 2011

For Her Eyes Only, from The Saratoga Series ~~ Kimberly Kelly Santini


 
 
 

"For Her Eyes Only," 5" x 7", the latest addition to my "Saratoga Series" of paintings, portrait of a Thoroughbred Racehorse, done in Golden Open Acrylics on an Ampersand Gessobord (see my reference material below). Add this painting to your collection for $289. Inquiries may come to me.

 
Yesterday, Three Chimneys Farm (a Thoroughbred racehorse breeding facility) shared a photo of a 2 year old filly on their Facebook page. I was immediately struck by her unique markings (see the skull shape in her blaze?), and wanted to paint her.

 
I did a little research, and discovered she was currently in Saratoga, New York - even handily won her first race yesterday!

 
I sent a emails to friends who were in the Saratoga area - were they planning on going to the track soon, and if so, could they keep an eye out for her?

 
Meanwhile, this afternoon, I pulled up my own references (I wanted to paint a gorgeous dark bay wearing a plaid cooling sheet, a horse I photographed during my recent visit to Saratoga), and what did I discover? 

 
Photos of For Her Eyes Only, being hotwalked after her morning bath, just ahead of that dark bay in the plaid cooling sheet.

 
Serendipitous, no?
 

Thanks, as always, for looking at and sharing my paintings with your friends and family,
Kim
 

PS Might I add that there was no attribution to the photo as originally posted on FB. With that in mind, I opted not to include it by means of anything other than a link to the source, since I had no means of acquiring permission or acknowledging the photographer.
 
 
COMING UP ~~ PAINTING WORKSHOP "Mixing Color Not Mud": Saturday, October 8th, at the Orion Art Center in Lake Orion MICHIGAN. Email me to get on the early bird list.


 

My (copywritten) photo, taken at Saratoga, in July 2011. 
 
Copyright Respect

 
I can hear the questions now - why didn't I just paint from the photo I first saw on Facebook?

 
Easy.

 
I didn't take the photo.

 
Which means I didn't have permission to use it, even if I was only using it for something derivative like a painting.

 
The photographer automatically owns the copyright, whether said photographer is professional or amateur. (Copyrights don't just apply to authors/artists.)

 
That said, I can only use photographs as reference material with explicit permission from the photographer.

 
No matter where I come across those images.

 
Magazines, blogs, websites, even Facebook, are all off limits. It doesn't need to have a copyright watermark on it to be protected, either - if you didn't take the photo yourself, it belongs to someone else.

 
So unless you have written permission to use a photo - or even a portion of it - steer clear.

 
Life is too short to spend time dealing with accusations of copyright infringement.
 

Friday, August 12, 2011

Morning Banter ~~ Kimberly Kelly Santini


 

"Morning Banter," from "The Saratoga Series," 9" x 15", Golden Open Acrylics on Ampersand Gessobord, inspired from a photo taken by Juliet Harrison. Titled after the casual conversation both riders and horses were having with each other during their gallop. Original painting available for purchase, $599. Inquiries may come to me.

 
When hanging at the rail (in Saratoga) with my girlfriends last month, the idea was thrown to the universe that we should all paint a piece inspired by the same photo. A few days after returning home, an email from Juliet arrived with an attachment and the official challenge began.

 
Everyone else jumped into their pieces with gusto, but I had a number of other commitments I needed to complete before indulging myself. I got through all but 2 of said commitments before I had used up all my willpower.

 
I couldn't hold back any longer!

 
And, as always, I see a few minor changes I want to make - this always happens after I've signed and photographed the painting. But given it's a Friday, I'd like to call it a night and kick into weekend mode. So I'll wait until tomorrow to correct the line on the front horse's ankle.

 
Thanks, as always, for looking at and sharing my paintings with your friends and family,
Kim
 
 

JUST ANNOUNCED!!  PAINTING WORKSHOP "Mixing Color Not Mud": Saturday, October 8th, at the Orion Art Center in Lake Orion MICHIGAN, for early bird reservations email me.
 





Here's the reference photo inspiring the painting above.
 

Oh yeah - and now that I've figured out how to feed my new smart phone to the studio facebook page, it's made on-the-fly updating possible. As with yesterday's painting, today's track scene has multiple in-process views on my studio page, so take a peek to see it's progression (for instance, there was a detailed background behind the far rail, but I felt it was too distracting and took it out).